Adriana Bordignon Reviewer Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Adriana Bordignon Reviewer Thank you so much for being here. And first of all, can you introduce yourself, like who are you and where are you from? I'm Adriana from Brazil. Okay, and you're an artist, right? Why did you choose to make art? Why is that your passion? I think it starts from being not satisfied with how things are established in the world and art would be try to to shake a little bit things to propose different ways to be in the world to relate with things in the world also for me it's very important to open places that has been closed for so many years that people can see it again. Because usually when something is closed, people start to ignore it. So open it is a way to bring the place back to where it is. Well, I'm quite excited that you're opening it because it's pretty amazing in here, it really is. So you're also doing your project in here what's like the idea behind all of this or like your work especially usually i like to work with things that are not so spectacular to train a little bit the eyes of the viewer so that they can see better smaller things which is what I practice every day to look better to see more to see more details to see things in a different way so instead of covering the castle or making a huge thing I want to use the elements that are already here and I hope that people, when they come and they see these small interventions, they might see the whole Kesto as an artwork. And what I want to show is the beauty of things that are degradating, like us. Well, that's true. That seems kind of wise, to be honest. Okay, so you've been working on this project for a while now. How is it going? Have there been any problems, maybe? Or is everything going well? You shouldn't put me in that position. So it's not going well. No, I'm sure it is. It's going well, but I'd rather talk about my work specifically. And another thing that might be relevant to say is that for me even if these installations or interferences that I do they are very small and very silent sometimes they require a lot of effort, physical effort. If art, as I said before, if art should be an alternative for what is established as a system, we are failing, because it's becoming very about market, about being pop star, about being rich, and I think it should be more truth, more human, more creative, even to bring other solutions to the art scene. What's the thing that people should take away from your art, especially from this project here, like the people who do see it? I hope they surprise me and they take things I could not expect they would take, which means also they are bringing things. I think when a person sees an artwork, she's not seeing me, she's relating. It's a dialogue between her and something I propose. So, as I said, I hope to make their eyes sharper, I hope to make their eyes sharper, so they can see better things that before they were not paying attention on. But I also hope they surprise me with new points of view about what I do. Well I hope they'll do that and thank you so much for the interview. Thank you. Danke, vielen Dank.