This year we chose the topic of play, which for us is very connected to the idea of collaboration, collectives and trying out new things. So we hope you enjoy the whole program. And I cannot be very long now because the time is for someone else. But I couldn't end this edition without naming the names of people who made it happen. And it's an amazing team that worked all together in a very professional way. So I just want to mention Andrea Bladud as a curator together with Gabriela Gordillo. Thank you. Reinhardt Raissensen in the sound together with Heidi Green. Victoria Ang Gyal in the amazing graphic design, Sabina Piñeros in the social media side and communication, and we are also very thankful with Gerlinde, Jez, Manu, Silvia, and a lot of people who were around us and making this possible. So now, after Galleons, you will have a short interview from Medusa and Sambola Zat, which I will let them introduce themselves. And after that, we have a closing DJ set so we can celebrate the end of this evening. Thank you. Hi everyone. Thanks so much Gabi and I want to Thanks so much, Gabi. And I want to emphasize on all these people that Gabriela announced. And I want to include you as well as, it's always important that if we from Samplers That, as a community, come together and collaborate with other communities or other collectives to have a bit of a context. And this is why we will have a very short interview right now. Me, that would be Lukas Jakob Löcker. I represent Samplers.dat and I am honored that we collaborated with Sound Campus for the third time already. But this year, since, as Gabriela said, it's a topic of play, we thought to twist the idea on working with pre-existing media, usually with sample, and make people play the music that has already been produced inside and within sample as that. And that we could collaborate with another collective is actually an even bigger honor and makes me very happy because it's not so usual that people play the music that is in the archive of Samplestadt. And through Sound Campus we made it happen that the wonderful Maduxa Collective is playing these tracks and others as well for you after our little interview. And this will be done to dance. So we already saw people dancing. This will be even more and better opportunity to dance for all of you. even more and better opportunity to dance for all of you. But now this is done from my side and I would be so happy, dear collective Meduxa, or four at least of you, to introduce your collective and every of you individuals to our crowd. And for you as information, we usually also communicate in German. That's why it could be that the answers are in German and or English or we do a in-situ translation. You will hear and see on the stream how we handle the thing. So, so happy to have you, to talk to you and to listen to your DJing afterwards. Meduxa. I just say my name at first? Okay. Hi, I'm Cody, DJ Tameheart, also part of Medusa. Hello, my name is Claire, and my DJ name is Sikler. Hello, I'm Kaya, and my DJ name is Miss KJ. And just to put in a few words, probably what is the Medusa collective yeah so it's a dj collective for flinter people and we're focused on intersectional feminism and diversity creating spaces for that in the DJ world. And doing that in our small way in Linz. Yeah. Yeah. And it's not only the four of you, right? Maybe someone else wants to add something. Yeah, it's just the four of us at the moment. And we try to do some projects to get people together like flinter people. How do you say in English? Flinter? Okay. We try to give them space and room to perform and to try stuff out and that it's a space where you can make mistakes and it's no like it's no problem and we want to have fun. Yeah for that reason we do like once a month open decks where people other DJs, flinter DJs can join us and where everyone can try out the equipment and connect with each other. So this is for all of you who are interested in this offer that Medusa Collective gives. I think on the socials, Instagram, you see about the open decks, right? And in this case of learning from another in a safer space, we kind of like. That's where we also connect, no? We sample as that. And I want to probably as a last question before the dancing and DJing will start, ask you how was it to work with the archive of such a weird collection of tracks that were produced in the last five and a half years within Samplerplus. What was your experience and how did you prepare for the DJ set we will hear? We spent a whole weekend in the cellar of Willi-Britt. So it was very intense and very exciting. Yeah we received the tracks beforehand and so we could search for tracks that kind of fit to the music that we already play. And then we met with this kind of collection that we had made and we all play kind of different genres anyway. So it was a lot of fun, a bit chaotic at first, but then we quickly distilled down what we wanted to play and what fit together and spent two days intensively working on that and now we're going to present the results. But it was a lot of fun it was a great challenge so taking the idea of two hours to produce a track to another level having two days to go through 150, 20 200 ish tracks that's an immense amount of work that you put in I'm super happy and very curious on how it turned out. We do. And to give you some time to prepare before you start, I would say let's make it a point, but the last call is for you. Is there anything you want to add up or anything we forgot to mention that is important to you? we forgot to mention that is important to you. Maybe we hope some artists are here that we are playing. I hope you recognize the tracks and shout out to DJ Glashaus. Yes, if he's around and everybody else who produces inside of Sound Blast that please join us later and get to know the DJs right so thanks for the insight thanks for the context and your work I am so stoked to hear you play round of applause for Medusa collective and thanks to Sound Campus for having us.