WEBVTT

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 Welcome everybody, thank you so much for joining us tonight to the 9th

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 ILLINTS International Short Film Festival. Thank you so much for being here, thank you for seeing

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 a full room tonight. I would like to call on stage two cooperation members for their welcoming words,

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 so please welcome on stage now Simone Barlian.

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 She's head of artistic projects and exhibition

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 at the University of Arts and Design in Linz.

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 And she's representing Magistra Brigitte Hütter,

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 director of the University of Arts and Design in Linz,

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 who is unfortunately ill tonight and can't be with us.

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 But please welcome Simone Barlian

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 for some opening and welcoming words.

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 Thank you so much. Yeah, first of all, thank you so much, Parisa and Ashkan, and I'm very proud

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 also to be here on behalf of the Art University today, because, because yeah it's kind of a baby also from the

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 art university as you initiated this festival nine years ago as your master thesis and it grew and it

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 grew and it's still also based uh very close to the university and still i think i just talked to

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 to um the politician here of linds and yeah it's a very important pull and filter but also to see it how

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 international Linz is and how to collect and assemble these international voices yeah and

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 this on this behalf I'm just really happy that you combine all these diverse and multitude

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 perspectives on cultures and it's just so incredible. Every year, I read that you

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 watch through 4000 movies. And I have such respect for it. I think I can manage to see a movie once

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 a month, maybe. But it's so important. And it's such a medium, I think, where we really can dive

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 into different perspectives in the global context. And this is something I think we should celebrate a lot.

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 And therefore, I'm so grateful and the whole university is grateful for that,

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 that you hold this up for nine years ongoing on Rally.

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 I think this is deserving of applause, actually, that you're really holding on to it.

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 And also to all the filmmakers and everyone listening to the voices being a voice i think

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 this is really important also these days and these times we are having ahead of us and we are in

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 middle in the middle of it so 60 movies out of 121 countries this is something incredible and i think

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 you really shaped some unique format and we are very grateful to have

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 you in Linz and very grateful that this is such a precious baby growing out of Art University Linz.

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 Thank you so much. Thank you so much for your kind words and now I would like to call on stage

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 representing City Councilor for Culture Doris Langmeierhofer, Mr. Michael Michael Rosenmeier, also Linz City Councilor, for his opening words.

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 Thank you very much.

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 I feel deep respect for your free styling because you have all your words written in German.

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 And I didn't dare to.

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 because you have all your words written in German.

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 And I didn't dare to.

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 So I have some words written down,

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 so I hope you bear with me that I'm going to read a little bit of it.

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 Ladies and gentlemen,

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 dear Parisa, Ashken, and Clara,

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 I didn't see her,

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 but all the team that is involved in organizing this,

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 dear filmmakers, artists, guests, and friends, a very warm welcome to Linz.

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 On behalf of the city of Linz, especially our

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 city councillor for culture, Doris Lang-Meierhofer, I am delighted to

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 welcome you all to the 9th Linz International Short Film Festival.

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 Short films are proof that you don't need a lot of time

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 to tell a great story.

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 So you master this and I promise to keep my little speech also short.

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 It is wonderful to see Linz bringing together so many creative minds like yours and different cultures.

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 This year over 4,000 films and watching one a month would take a few years to finally get a result

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 like you did in the last month.

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 So 4,000 films from 121 countries

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 submitted to this festival is a great success.

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 It shows what you have founded nine years ago

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 and where this baby grew up to.

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 So congrats to that.

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 It's an incredible number of stories, ideas,

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 and creative visions from all around the world that you brought to this stage or are bringing

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 to this stage. And now some of this creative energy has arrived here inside this cinema,

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 right here in Linz. And for the next four days, our city will be meeting place

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 for filmmakers, emerging talents, and film lovers from near and far. For us in Linz culture is much more than what happens

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 on the stage or on the cinema screen. It is about bringing people together and

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 we talked about that. It's a melting pot and I just got to know that some kind of

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 theme over all this festival is the word love. So probably most

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 of the films will touch your hearts and speak a different language than only words. It is

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 about bringing people together, I said, opening minds and seeing the world through someone's

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 else's eyes. And that is exactly what films can do so beautifully. Short films have a special power.

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 They can make us laugh, move us to tears, challenge our thinking or leave us wondering what on earth

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 we just have seen and you don't need to go to Instagram for that. Sometimes all within a few

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 minutes and that's what makes your art. Your films remind us that although we may speak different languages

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 and come from different places all over the world, we share emotions, dreams, and hopes.

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 And that is what should bring us together and let us work on the hopes, also hold them high

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 so that most of them can be fulfilled.

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 I'm particularly pleased that through the Film Talent Academy

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 the festival creates opportunities for the next generation of filmmakers.

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 So maybe there are some dreams to be put in there.

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 I would like to thank the festival directors, the jury and the entire organizing team,

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 all the partners and supporters and of course every filmmaker who has brought a piece of their world to Linz.

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 Dear guests, the current claim of our Office of Tourism has coined

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 is take a risk, visit Linz.

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 I hope you did not have to take too many risks to visit our city,

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 but I dearly encourage you to take a few risks in the next coming days and enjoy

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 the festival, not only the films, but also the conversation afterwards. Discover something

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 unexpected, make new friends and take a little piece of Linz home with you, at least some

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 business cards. You never know, the person sitting next to you in the cinema today might be your next creative partner tomorrow.

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 So in short films, every second counts.

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 I wish you make the next four days also count for society, for your dreams, for your dreams to come true and for a good time.

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 Once more, welcome to Linz. Let the show begin.

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 Thank you so much. I think these were perfect opening words.

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 So I will be your host tonight.

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 And I want to welcome you to the opening night of the 9th Linz International Short Film Festival 2026.

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 A celebration of global storytelling and the power of cinema to bring us closer together.

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 A big round of applause, please.

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 We would also like to thank Dorf TV because they are streaming this event live.

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 Thank you very much.

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 So this year, our festival is guided by one simple but very powerful word, love, as we heard in the opening

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 words. Love takes many forms. It can be an act of courage, a gesture of kindness, a feeling of

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 belonging or the willingness to understand someone different from ourselves. It can connect us, challenge us and remind us of what we share as human beings.

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 And cinema has this unique ability to make us feel these connections, even across languages, borders and cultures.

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 So the film we just watched, No Skate by Gil Sela, is also part of this year's competition.

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 And we chose it to open the festival because it reflects the spirit of the films we have selected this year and invites us into the world of stories that await us.

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 we will discover short films selected from a record of more than 4,000 submissions from 121 countries.

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 That's so much. A big applause for that.

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 So the 57 films in competition offer different perspectives on the world we live in. There will be stories of courage,

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 identity, love, loss and transformation. So for us a film festival of course is not only about watching movies, it's much more. It is about meeting one another, discovering unfamiliar perspectives, and creating

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 a space where different voices can be heard. It is where art can inspire dialogue, where differences

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 can bring us closer, and where cinema reminds us that despite everything that separates us,

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 we have so much in common. And perhaps this is what love is all about, no? The willingness

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 to look beyond ourselves, to listen, to feel and to recognize a part of our own humanity

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 in someone else's story. So tonight we celebrate the filmmakers who share their visions with us,

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 the artists who bring these stories to life, and all of you,

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 the audience, to give these films meaning by watching, feeling, and engaging with them.

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 So may these next four days surprise us, move us, make us think, and perhaps even change the way

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 we see the world a bit. So welcome to the 9th Linz International Short Film Festival.

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 Welcome to four days of cinema, connection and love.

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 And now I would like to welcome on stage the co-founder and festival co-director of the

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 Linz International Short Film Festival, Parisa Ghazemi.

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 Thank you.

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 So thank you, Angela.

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 Also a very warm welcome from my side and also the team of the Linz International Short Film Festival.

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 We are really happy to have all of you here.

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 I think we have filmmakers somehow from every continent here.

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 I know we have from Australia, from Singapore, from Mexico, from...

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 They are all here in this room.

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 From India,

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 from

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 South Africa,

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 and

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 England, and the whole Europe.

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 We have many filmmakers from Europe, from

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 Syria, from

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 Armenia.

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 And our team

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 is really proud of this diverse

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 filmmakers it was a slogan from our very first first edition and we put a lot of

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 work into it to make it a real diverse festival and not just right there that it's about diversity and solidarity but to

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 really do it and and we are really proud of the whole filmmakers who are here with us tonight

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 um about love i wanted to tell maybe why we choose this word.

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 I was like, and I should tell about this 4,000 film

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 because normally me and Ashkan Nematian,

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 the other co-founder of the festival,

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 we watched all the films and selected the films in recent years.

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 But this year we had a pre-selection team also

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 out of six people, I think three of them are here with us.

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 Igor, Masha, and Nati, they are here,

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 and the other three are not here.

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 Thank you for doing this great work and helping us for that.

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 Maybe a big applause for this.

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 So it was a really big help for us this year.

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 And then we watched maybe the 300, 400 films

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 out of their selection and then we selected this 57

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 film yes and we didn't choose the word before the like the submissions as we

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 were selecting the film and I was watching it for the program

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 I was thinking what is the speed of this selection what is there and I still didn't know

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 and then two weeks ago I lost one of my cats.

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 And it made me to think, and me and Lashkan both, a lot about loss, but also love.

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 And the one thing that I was regretting was only why I didn't love her more, why I didn't spend more time with her.

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 However, she was always there.

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 And when I was working, when I was in the kitchen, in the bathroom, outside, inside,

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 she was always there and she is not there.

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 And I cannot really understand the life without her.

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 understand the life without her. And then it gave us a lesson to love more and to spend time more with our loved ones. And then I was playing with the program and I was thinking, I think what could help us to bring this solidarity?

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 Because we talk about this solidarity all the time, many of us, but how?

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 And I think it's not about just to have empathy for the others

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 because they are like us but to have love for everybody who is

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 not like us who is not as same as us they have different perspectives different ideas of love

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 life but still we can love them we can love each each other. And yeah, this is why we thought, I think,

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 and it is really resonating with the whole films in the festival.

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 So we chose this word for this year.

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 And I think this is something a little bit is lost in our human life nowadays.

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 it is lost in our human life nowadays.

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 We know that it's really, how to say, a tragedy

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 what is happening in our world now. And we know, I mean, in recent years,

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 we also screened many films about war,

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 about sexual assault, about all the

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 problems in the world

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 this year we will also have

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 these issues but the way

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 like that

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 we thought about

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 our selection, how to select the films

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 the most important thing

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 was for us to have some

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 kind of hope in every film too, because I think hope and love are the only thing that could help us now in these days and this world.

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 And yeah, that's why we chose it. And we can see it maybe in the films.

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 and we can see it maybe in the films.

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 So then I would go a bit to the program and explain a little bit about our program.

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 We have also, this is also the start of

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 the fourth Queer Feminist Day

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 that we are organizing in cooperation

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 with the Women's Office of the City of

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 Linz and also LGBTQ

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 plus Department of the City

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 of Linz. And

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 tomorrow the whole film

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 screening, there will be

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 free film screening.

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 It would be with this

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 theme and we will also have

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 an open discussion. I really

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 love that everybody attends this discussion

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 and I think this is really interesting

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 and we like to do it like an open discussion.

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 There will be Yulia Puringer as host.

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 She is also part of the jury.

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 Julia Puringer as host.

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 She is also part of the jury.

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 And then, yeah, there will be the screen and this one for the Queer Feminist Day.

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 So maybe we can go to the next part.

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 Okay.

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 Would you like to say something about the Amina Award?

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 Exactly.

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 At this open discussion, we will also give

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 two awards

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 one award is for the

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 best queer feminist film

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 which is called

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 Mahsa Jina Amini award

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 and it is a tribute

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 to Mahsa Jina Amini

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 in

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 she was killed

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 by the police in Iran in 2022.

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 I think most of you know about it.

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 And it started the Women's Life Freedom Movement in Iran, which is still ongoing.

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 I should say it's still ongoing and women are fighting every day.

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 And they are every day more free than the last day.

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 The images that we see from Iran is so different now.

230
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 Many people, many women go without hijab on the street.

231
00:19:55.259 --> 00:20:00.819
 There are many concerts, so it is an ongoing revolution, I would say.

232
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 And we give this award tomorrow.

233
00:20:00.799 --> 00:20:01.380
 I would say.

234
00:20:03.559 --> 00:20:04.339
 And we will give this award tomorrow.

235
00:20:06.279 --> 00:20:06.640
 And another award is,

236
00:20:08.579 --> 00:20:10.059
 I would explain later a little bit about our talent program.

237
00:20:10.740 --> 00:20:12.980
 But here we will also give

238
00:20:12.980 --> 00:20:16.299
 one scholarship award

239
00:20:16.299 --> 00:20:17.799
 by Women of East

240
00:20:17.799 --> 00:20:20.079
 and to one of our talents.

241
00:20:20.079 --> 00:20:22.940
 But I will explain about talents afterward.

242
00:20:23.559 --> 00:20:25.779
 Okay, thank you very much, Parisa.

243
00:20:26.140 --> 00:20:28.680
 So there will be exciting days ahead of us,

244
00:20:29.059 --> 00:20:34.099
 and I hope we will see all of you tomorrow then

245
00:20:34.099 --> 00:20:37.000
 for the open discussions and also for the movie blocks, of course.

246
00:20:37.519 --> 00:20:41.960
 Now we would like to welcome our jury here on stage.

247
00:20:42.180 --> 00:20:46.740
 So two of our jury members are here with us tonight. Am I right about that?

248
00:20:47.619 --> 00:20:53.119
 Exactly. So they are bringing their insight, their passion and expertise to the difficult task of

249
00:20:53.119 --> 00:20:59.339
 selecting our winners. Isabel Fowell, who is also a jury member, she can't be with us tonight,

250
00:20:59.599 --> 00:21:06.460
 but she's coming tomorrow from another festival in the Netherlands. The Turies, they already had a meeting online

251
00:21:06.460 --> 00:21:08.839
 to decide about the winners of this year's festival,

252
00:21:09.240 --> 00:21:11.920
 which will be announced at our closing ceremony,

253
00:21:12.039 --> 00:21:15.900
 at our awards ceremony on October 17th at 8.15 p.m.

254
00:21:16.079 --> 00:21:18.640
 So you're also warmly invited to be there.

255
00:21:19.460 --> 00:21:22.680
 And I will also be your host there at the closing ceremony.

256
00:21:23.160 --> 00:21:26.579
 But now please let's welcome on stage our two jury members,

257
00:21:26.740 --> 00:21:30.640
 Julia Puringa and Maral Kejavars to the stage.

258
00:21:40.299 --> 00:21:41.859
 Thank you so much for coming.

259
00:21:41.980 --> 00:22:06.400
 I would just like want to give you some background about our jury members. So Isabel Fouvel is an internationally renowned film development expert. After gathering experience as a producer at Flachfilm, she founded Initiative Film in 1993, the first company entirely dedicated to creative project development, working with writers, directors and producers

260
00:22:06.400 --> 00:22:11.140
 on talent and book scouting, script consultancy, story editing and pitching.

261
00:22:11.839 --> 00:22:19.720
 She has collaborated with international platforms including Torino Film Lab, ACE Producers and MFI.

262
00:22:20.480 --> 00:22:29.920
 In 2025, she founded Silence and Conversation, continuing her work around creativity, talent development and the circulation of ideas.

263
00:22:30.980 --> 00:22:39.400
 Julia Pühringer, let's say it in Austrian, is an Austrian journalist, curator, moderator and film critic.

264
00:22:40.039 --> 00:22:46.299
 She writes for Falter, The Standard and Anschläge and regularly interviews actors and filmmakers.

265
00:22:47.160 --> 00:22:55.960
 A central focus of her work is the representation of women and their artistic work, as well as questions of reception within film and culture.

266
00:22:56.779 --> 00:22:58.859
 Thank you very much. A big applause for her, please.

267
00:23:07.940 --> 00:23:08.460
 And Maral Keshavarz is an Iranian-German actress based in Berlin.

268
00:23:13.099 --> 00:23:19.539
 Born and raised in Teheran, she started acting at the Berlin University of the Arts and was a permanent ensemble member of Münchner Volkstheater from 2021 to 2024.

269
00:23:20.279 --> 00:23:25.839
 Her recent screen work includes a leading role in Julian Radlmayr's Sehnsucht in Sangerhausen,

270
00:23:26.259 --> 00:23:33.579
 Phantoms of July in English, which premiered in the international competition of Locarno Film Festival 2025.

271
00:23:34.259 --> 00:23:35.759
 Thank you very much for being here.

272
00:23:40.079 --> 00:23:45.460
 So you already watched all the movies that are in the competition, no?

273
00:23:49.720 --> 00:23:49.900
 So you saw all the movies and now, of course, we have this question.

274
00:23:52.019 --> 00:23:52.359
 How was this process of watching the movies?

275
00:23:54.500 --> 00:23:54.700
 You have very different backgrounds.

276
00:24:00.279 --> 00:24:00.480
 So you're more like in front of the camera, you're in the acting career.

277
00:24:05.660 --> 00:24:13.559
 So maybe you watched the movies different to someone who is a critic a film critique and a journalist so maybe you could give us a little insight about the process how you watch

278
00:24:13.559 --> 00:24:20.319
 the movies and how you selected them as well for for the awards so did you have something in mind

279
00:24:20.319 --> 00:24:26.819
 during watching the movie did you do some notes after the movie so did you write down some notes

280
00:24:26.819 --> 00:24:33.779
 what you liked very specially about this one movie um yeah just give us a little insight about your

281
00:24:33.779 --> 00:24:38.940
 process of watching and maybe both of you because i can imagine that your insights are very different

282
00:24:38.940 --> 00:24:46.299
 hi first of all oh do you hear me? Yeah.

283
00:24:50.400 --> 00:24:53.380
 First of all, I would like to thank Paris Sojourn and Ashkahn to include me in this beautiful process.

284
00:24:54.160 --> 00:24:58.920
 I would say I knew it like a month before

285
00:24:58.920 --> 00:25:03.880
 that I have the honor to be in the jury position.

286
00:25:04.559 --> 00:25:07.640
 And I got the movies and i was just like um

287
00:25:07.640 --> 00:25:15.599
 at the end because of the timing thing i uh watched four or five movies um per day and i

288
00:25:15.599 --> 00:25:20.259
 watched them um in the morning and we watched them at the evening and i was just like okay

289
00:25:20.259 --> 00:25:27.579
 because of the time and i just um did some notes and um to be honest yeah it was it was like

290
00:25:27.579 --> 00:25:35.259
 the originality and the form was in my um i don't know way or uh it was important to me or because

291
00:25:35.259 --> 00:25:41.380
 it's it's my first time and it's it's it's really an honor to to do this in this beautiful um

292
00:25:41.380 --> 00:25:48.359
 festival and um i had my list and to be honest at the end i was really really

293
00:25:48.359 --> 00:25:57.759
 it was funny because we had like many movies in common it was like um maybe it i it could be also

294
00:25:57.759 --> 00:26:08.420
 um like funny to discuss and and fight for one film another. But at the end, we had many movies in common.

295
00:26:09.740 --> 00:26:11.619
 And yeah, of course.

296
00:26:12.200 --> 00:26:13.660
 But to be honest, I didn't,

297
00:26:13.660 --> 00:26:20.819
 I rethink my watching the way to watch movies again.

298
00:26:21.079 --> 00:26:28.099
 And first of all, I just watch them personally and subjective and after that okay

299
00:26:28.099 --> 00:26:36.400
 for example editing or sound is not in my field somehow but um somehow you you hear something and

300
00:26:36.400 --> 00:26:47.859
 it's like or or if you follow the story it means maybe is a good editing or if you interrupt you, maybe it's like, OK, maybe I want to watch them and so on.

301
00:26:47.859 --> 00:26:52.160
 And yeah, and I last week we had this Zoom.

302
00:26:52.279 --> 00:26:54.779
 Is it a Zoom call? Yeah, I don't know. Yeah.

303
00:26:54.900 --> 00:26:58.000
 Yeah. Or is it a video all in cut?

304
00:26:58.460 --> 00:27:00.859
 And we had pretty much in common.

305
00:27:00.980 --> 00:27:02.119
 Yes, I would say. Yeah.

306
00:27:04.099 --> 00:27:07.000
 Thank you. I'm also very, very honored to be part of this jury

307
00:27:07.000 --> 00:27:08.460
 and it was a beautiful process.

308
00:27:08.779 --> 00:27:11.079
 I really have to admit we had one big problem

309
00:27:11.079 --> 00:27:14.460
 and the one big problem was that there were so many fucking good movies.

310
00:27:15.480 --> 00:27:18.440
 So please look ahead to the next four days.

311
00:27:19.160 --> 00:27:21.640
 I know as a film critic sometimes I feel a little bit tired

312
00:27:21.640 --> 00:27:23.539
 and a little bit, you know, I've seen it all.

313
00:27:24.200 --> 00:27:24.900
 I'm getting old.

314
00:27:26.440 --> 00:27:27.539
 This is a real job.

315
00:27:31.119 --> 00:27:31.380
 And this was truly the magic of cinema.

316
00:27:34.240 --> 00:27:34.640
 And these are films that fight for something.

317
00:27:37.640 --> 00:27:38.279
 I think this is what we need when fascism arises.

318
00:27:42.420 --> 00:27:44.400
 It's a cinema like this. And I can promise you the future of cinema is golden. I can tell you after this jury work.

319
00:27:45.400 --> 00:27:47.660
 So this was a wonderful process.

320
00:27:47.660 --> 00:27:51.019
 And it was a wonderful discussion.

321
00:27:51.380 --> 00:27:52.680
 I think we were a really good team.

322
00:27:52.880 --> 00:27:53.700
 We had a lot of fun.

323
00:27:54.099 --> 00:27:56.319
 And cigarettes and wine.

324
00:27:56.779 --> 00:27:57.000
 Yeah.

325
00:27:59.160 --> 00:28:01.039
 Well, we had a French person on the jury.

326
00:28:02.299 --> 00:28:03.519
 I was doing the smoking.

327
00:28:03.880 --> 00:28:05.460
 I grabbed my tea and she was like,

328
00:28:05.519 --> 00:28:07.660
 I'm French, I'm going to grab my wine.

329
00:28:08.680 --> 00:28:09.920
 But this was a

330
00:28:09.920 --> 00:28:11.680
 wonderful process, it's a wonderful program.

331
00:28:12.880 --> 00:28:13.700
 It's fantastic.

332
00:28:13.960 --> 00:28:14.279
 Thank you.

333
00:28:15.460 --> 00:28:17.160
 Maybe another question.

334
00:28:17.460 --> 00:28:20.180
 Did it take you a long time to really select your winners then?

335
00:28:22.380 --> 00:28:23.980
 So how long was the Zoom call?

336
00:28:31.180 --> 00:28:38.900
 Four hours? Four hours? then so how long was the zoom call four hours four hours no no no from 11 to two wow okay it was quite quick actually for 57 movies to discuss that's quite a lot one last

337
00:28:38.900 --> 00:28:44.059
 question maybe because that's a personal interest of mine do you approach the movies by reading the

338
00:28:44.059 --> 00:28:45.980
 disclaimer first and then watching them?

339
00:28:46.119 --> 00:28:48.759
 Or don't you read anything about the movies first

340
00:28:48.759 --> 00:28:50.779
 and just let them inspire you

341
00:28:50.779 --> 00:28:52.539
 without knowing anything about the movies first?

342
00:28:53.380 --> 00:28:55.579
 I'm sorry to tell you, it does not matter.

343
00:28:56.119 --> 00:28:56.380
 Okay.

344
00:28:58.099 --> 00:28:58.960
 What about you?

345
00:29:00.019 --> 00:29:02.660
 In this case, I didn't read something.

346
00:29:02.660 --> 00:29:07.960
 But usually if I go to cinema, I don't read.

347
00:29:08.240 --> 00:29:13.299
 Because otherwise, even to see pieces, theater pieces, I don't read them.

348
00:29:13.559 --> 00:29:19.220
 Because maybe it's helpful to know the line, but no.

349
00:29:19.400 --> 00:29:22.779
 So you really approach them very unbiased and without knowing anything.

350
00:29:22.859 --> 00:29:23.259
 That's good.

351
00:29:23.420 --> 00:29:23.799
 That's nice.

352
00:29:23.799 --> 00:29:30.480
 So thank you very much for being our tour this this year thank you very much you can go back to your seats again

353
00:29:30.480 --> 00:29:39.619
 well and now parisa you want to tell us a bit more about the program and explain us

354
00:29:39.619 --> 00:29:46.220
 the program to us yes thank you to the juries.

355
00:29:46.859 --> 00:29:48.160
 You did a really great work.

356
00:29:48.299 --> 00:29:48.980
 I'm really thankful.

357
00:29:50.279 --> 00:29:52.980
 So the next program I want to talk about,

358
00:29:53.079 --> 00:29:55.740
 it is our Initiative Film Talent Academy,

359
00:29:56.160 --> 00:29:58.680
 which we founded in 2022.

360
00:29:59.339 --> 00:30:01.319
 And it is growing so fast.

361
00:30:01.319 --> 00:30:06.859
 It started with seven filmmakers in the program i think and now

362
00:30:06.859 --> 00:30:14.920
 today for example for this year now for the first phase of the program we have 33 filmmakers in our

363
00:30:14.920 --> 00:30:25.539
 program and we have two different lab first like when we started we had short film lab and now we have short film lab and first feature lab.

364
00:30:25.539 --> 00:30:33.380
 This program is designed for the filmmakers who are working on their next

365
00:30:33.380 --> 00:30:41.240
 film project in development and they can join our program. There is a selection

366
00:30:41.240 --> 00:30:46.359
 when they do the submission. I think I'm not sure about the

367
00:30:46.359 --> 00:30:55.240
 number but I think this year we had about 150 submissions if I'm not right and then we select

368
00:30:55.240 --> 00:31:05.859
 these filmmakers and in a short film program now we have I think 19 filmmakers and in feature lab 14 filmmakers.

369
00:31:13.519 --> 00:31:18.160
 We had in September some, I think, four masterclass that they were working on their pitches,

370
00:31:18.799 --> 00:31:20.720
 which will be the next days.

371
00:31:21.980 --> 00:31:28.779
 Pitch sessions are now getting somehow really essential in the movie world

372
00:31:28.779 --> 00:31:38.440
 and this is where in many different like film festivals and film events and there are pitching

373
00:31:38.440 --> 00:31:46.140
 events where the filmmakers can present their film project and to find some potential collaborators

374
00:31:46.140 --> 00:31:48.079
 on film and their films.

375
00:31:48.259 --> 00:31:50.579
 Maybe a producer or co-producer

376
00:31:50.579 --> 00:31:52.420
 but also distributors

377
00:31:52.420 --> 00:31:55.000
 or other collaborators for their films.

378
00:31:56.299 --> 00:31:59.059
 And tomorrow we will have,

379
00:32:01.099 --> 00:32:03.460
 like we will start with the pitch sessions.

380
00:32:03.880 --> 00:32:06.359
 It will be at 12 every day.

381
00:32:06.519 --> 00:32:09.099
 Last day it would start at 11,

382
00:32:09.359 --> 00:32:11.460
 but you will see it in the program.

383
00:32:12.940 --> 00:32:17.220
 Yes, and after they pitch the project,

384
00:32:17.440 --> 00:32:20.960
 again the jury will select between these filmmakers

385
00:32:20.960 --> 00:32:22.640
 for the second phase.

386
00:32:23.519 --> 00:32:28.000
 So about half of them will make it to the second phase so about half of them will make to the second phase we will then

387
00:32:28.000 --> 00:32:37.819
 announce them in the award ceremony and the second phase is again some online mentoring session

388
00:32:37.819 --> 00:32:50.539
 which will happen in next month and then we go to the Cannes Film Festival all together and there we have like our booth

389
00:32:50.539 --> 00:32:57.119
 there in the short film corner and we have a collaboration with the SFC industry rendezvous

390
00:32:57.119 --> 00:33:08.700
 of the festival of the festival the Cannes and there they will pitch their project there, and then, let's see, I hope they will find some collaborators,

391
00:33:09.559 --> 00:33:11.880
 but the journey goes on for filmmakers.

392
00:33:12.440 --> 00:33:15.279
 I think we should all the time go and go.

393
00:33:15.339 --> 00:33:18.359
 I'm also a filmmaker, so because of that,

394
00:33:18.779 --> 00:33:20.619
 I started this film festival.

395
00:33:20.859 --> 00:33:24.160
 I thought, okay, let's bring every filmmaker here to Linz

396
00:33:24.160 --> 00:33:25.779
 and celebrate

397
00:33:25.779 --> 00:33:34.140
 cinema together. Yes, I think now we can go to the short film lab filmmakers and I want

398
00:33:34.140 --> 00:33:39.900
 to invite you to the stage. Yes, so I will call your names. Please come up front so we

399
00:33:39.900 --> 00:33:45.380
 can see you and we know who you are. So please welcome Arushi Chodhuri.

400
00:33:45.720 --> 00:33:49.859
 I'm already, say sorry if there's some misspelling, please forgive me about that.

401
00:33:50.519 --> 00:33:57.920
 Agnieszka Bribis, Aginé Isanias, she couldn't come due to visa rejections she had.

402
00:33:58.420 --> 00:34:03.920
 Alberto Ribeira Teixeira, Hanna Cortus, Paloma Castro, Jasna Safic.

403
00:34:03.920 --> 00:34:05.079
 You can come already, you can come already.

404
00:34:05.220 --> 00:34:05.759
 You can come.

405
00:34:17.420 --> 00:34:36.139
 He's also not here because of visa issues, unfortunately. unfortunately so please come up here

406
00:34:36.139 --> 00:34:38.900
 a little bit closer maybe

407
00:34:38.900 --> 00:34:40.480
 so everybody has space

408
00:34:40.480 --> 00:34:43.260
 so a big applause for them please

409
00:34:54.599 --> 00:35:05.699
 space so a big applause for them please so these are our talents of the film talent academy so and of course these film festivals are always a way to get together, to get connected.

410
00:35:06.099 --> 00:35:08.199
 And we just want you to know each other.

411
00:35:08.260 --> 00:35:13.639
 And maybe you could just give the microphone around and introduce yourself, just who you are.

412
00:35:14.340 --> 00:35:15.599
 I picked the wrong spot.

413
00:35:16.639 --> 00:35:17.320
 It's okay.

414
00:35:17.539 --> 00:35:18.099
 I'm just kidding.

415
00:35:18.619 --> 00:35:19.179
 Hi, everybody.

416
00:35:20.280 --> 00:35:21.519
 Thanks for having us.

417
00:35:21.900 --> 00:35:22.820
 My name is Zere.

418
00:35:22.820 --> 00:35:26.820
 I am from Kazakhstan, from Almaty, but I am based in New York.

419
00:35:27.400 --> 00:35:29.920
 I'm a filmmaker and I'm happy to be here.

420
00:35:30.320 --> 00:35:30.880
 Very nice.

421
00:35:31.840 --> 00:35:35.579
 Hi, I'm Hannah. I'm from Germany and I'm based in Austria now.

422
00:35:37.800 --> 00:35:44.420
 Hey, I'm Talat. I'm a filmmaker from Cyprus, based in the UK. I'm very happy to be here and make new connections for the future.

423
00:35:41.360 --> 00:35:41.780
 from Cyprus, based in the UK.

424
00:35:42.840 --> 00:35:44.440
 I'm very happy to be here and make new connections for the future.

425
00:35:46.440 --> 00:35:47.860
 Hi, my name is Shaurya.

426
00:35:47.980 --> 00:35:50.000
 I'm from India, but I'm based in Prague.

427
00:35:50.219 --> 00:35:51.320
 I'm very happy to be here.

428
00:35:53.139 --> 00:35:54.340
 Hi, my name is Beato.

429
00:35:54.639 --> 00:35:56.719
 I'm from Brazil, but I'm based in Portugal

430
00:35:56.719 --> 00:36:00.159
 because everyone here is based somewhere else.

431
00:36:02.119 --> 00:36:04.659
 So I'm happy to be here.

432
00:36:05.780 --> 00:36:07.559
 Yeah. Just give it a rest

433
00:36:07.559 --> 00:36:08.659
 oh we've got one here

434
00:36:08.659 --> 00:36:09.659
 good

435
00:36:09.659 --> 00:36:11.239
 hi I'm Arushi

436
00:36:11.239 --> 00:36:13.659
 I'm based in Australia

437
00:36:13.659 --> 00:36:15.300
 and I'm a writer director

438
00:36:15.300 --> 00:36:17.219
 originally from India

439
00:36:17.219 --> 00:36:20.320
 and I really enjoyed No Skate

440
00:36:20.320 --> 00:36:22.360
 and I'm so excited to see the rest of the films

441
00:36:22.360 --> 00:36:24.059
 and getting to know everyone here

442
00:36:24.059 --> 00:36:25.960
 hi I'm Ibrahim Yari I'm so excited to see the rest of the films and getting to know everyone here.

443
00:36:32.719 --> 00:36:33.119
 Hi, I'm Ibrahim Yaghi. I'm a Palestinian filmmaker and cinematographer. I'm based now in Zurich,

444
00:36:34.599 --> 00:36:36.139
 Switzerland. Thank you.

445
00:36:41.039 --> 00:36:41.460
 Hello everyone. My name is Paloma Castro. I am from Mexico and I am really excited to be here.

446
00:36:42.840 --> 00:36:47.079
 Hello everyone. I'm a filmmaker from Burundi, but I'm based in Bulgaria and I'm very excited to be here. Hello, everyone. I'm a filmmaker from Burundi, but I'm based in Bulgaria,

447
00:36:47.440 --> 00:36:49.139
 and I'm very excited to be here.

448
00:36:51.019 --> 00:36:52.860
 Hello, my name is Robin Mai.

449
00:36:52.960 --> 00:36:55.920
 I'm from Linz, and I'm also very happy to be here.

450
00:36:56.159 --> 00:36:57.739
 And you can see my pitch tomorrow.

451
00:36:59.480 --> 00:37:00.880
 Hi, my name is Maragda.

452
00:37:00.880 --> 00:37:04.079
 I'm from Greece, but I'm based in Amsterdam because, of course.

453
00:37:05.159 --> 00:37:06.579
 I'm really happy to be here. I'm from Greece, but I'm based in Amsterdam because, of course. I'm really happy to be here.

454
00:37:08.579 --> 00:37:09.639
 I'm Leandros.

455
00:37:09.980 --> 00:37:11.699
 I'm from Cape Town, South Africa.

456
00:37:12.679 --> 00:37:17.780
 And I'm looking forward to watching some great films here and explore more of Lund.

457
00:37:19.539 --> 00:37:20.739
 Hi, my name is Kate.

458
00:37:20.739 --> 00:37:23.500
 I'm from Kiev, Ukraine, based in Prague, Czech Republic.

459
00:37:23.940 --> 00:37:30.420
 And I want to wish all the pitch participants to enjoy the festival because I know that the stress can take over.

460
00:37:30.960 --> 00:37:35.719
 And I want to wish audience to find love in whatever form you wish here on the festival.

461
00:37:36.820 --> 00:37:40.719
 Hi, my name is Migi. I'm from Albania, but I live in France.

462
00:37:40.920 --> 00:37:46.340
 And I like to say this everywhere I go. I just come from fresh from the Flamingo

463
00:37:46.340 --> 00:37:52.679
 revolution from Albania and I'm very proud of this movement and very happy to be here to

464
00:37:52.679 --> 00:38:00.119
 develop my script hi I'm Lishan I'm from Singapore and it's my first time at Lins I'm very excited to

465
00:38:00.119 --> 00:38:05.539
 be at the festival and meet everybody so thank you very much

466
00:38:05.539 --> 00:38:08.039
 so much wow it's so great to have

467
00:38:08.039 --> 00:38:08.780
 you all here

468
00:38:08.780 --> 00:38:11.340
 remember the faces

469
00:38:11.340 --> 00:38:13.539
 connect then afterwards at

470
00:38:13.539 --> 00:38:15.840
 the after party so just remember

471
00:38:15.840 --> 00:38:18.000
 them hope to see a lot of you

472
00:38:18.760 --> 00:38:19.599
 okay

473
00:38:19.599 --> 00:38:21.920
 so you can go downstairs again

474
00:38:21.920 --> 00:38:22.880
 thank you so much

475
00:38:22.880 --> 00:38:26.019
 so you see I didn't lie.

476
00:38:26.219 --> 00:38:30.780
 We have really, really international filmmakers here.

477
00:38:31.239 --> 00:38:31.480
 Wow.

478
00:38:31.480 --> 00:38:34.059
 And I'm really, really proud of it.

479
00:38:35.079 --> 00:38:39.400
 And if you want to see their great film project,

480
00:38:39.780 --> 00:38:46.320
 please come tomorrow and Thursday at 12 to the Art University.

481
00:38:46.820 --> 00:38:47.820
 It would be one

482
00:38:47.820 --> 00:38:50.019
 hour and afterward there would be

483
00:38:50.019 --> 00:38:51.820
 networking session. You can

484
00:38:51.820 --> 00:38:54.079
 then meet every other

485
00:38:54.079 --> 00:38:55.960
 filmmaker and everyone who

486
00:38:55.960 --> 00:38:57.300
 is there. Thank you.

487
00:38:57.800 --> 00:38:59.920
 So let's go to the first feature

488
00:38:59.920 --> 00:39:02.019
 lab. We would invite

489
00:39:02.019 --> 00:39:03.699
 the first feature lab filmmakers.

490
00:39:04.059 --> 00:39:06.159
 We hope that the filmmakers of the first feature

491
00:39:06.159 --> 00:39:11.440
 lab are also amongst us i will call your names again and please get onto the stage so we can

492
00:39:11.440 --> 00:39:22.639
 see you so there's sesim adiranova sarah govorovska marina chariton maria kavanazkaya rajaras

493
00:39:47.219 --> 00:39:53.019
 Kavanagh sky ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah wow big applause for them thank you so much for being here well i think you know already the procedure what's coming next now

494
00:39:53.019 --> 00:39:58.420
 so we also would like you to introduce yourself a bit just where you're from yeah what you do

495
00:39:58.420 --> 00:40:09.760
 um so you can also remember the faces and get together afterwards. So yeah, hi everyone, my name is Sizem, I'm from Kyrgyzstan and I'm based in Kyrgyzstan

496
00:40:11.199 --> 00:40:16.079
 and it's my first time in Austria and I'm so excited to be here, thank you.

497
00:40:18.480 --> 00:40:31.619
 Hi, my name is Maria Kavanskaya, that's okay, it always gets wrong this the third one um yeah um it's my first feature

498
00:40:31.619 --> 00:40:38.760
 project club and i'm very excited and thank you parisa and the whole team for inviting

499
00:40:38.760 --> 00:40:46.519
 so yeah looking forward for the festival and watching films, meeting wonderful people and make friends.

500
00:40:47.039 --> 00:40:47.440
 Thank you.

501
00:40:49.039 --> 00:40:50.840
 Hi, my name is Sarah.

502
00:40:51.079 --> 00:40:53.059
 I'm from Poland and I'm based in Poland.

503
00:40:53.760 --> 00:40:56.719
 And I'm very excited to be here and see all of you.

504
00:40:59.000 --> 00:41:00.480
 Hi, my name is Ginta.

505
00:41:00.679 --> 00:41:04.699
 I'm from Lithuania and I hope to make friends

506
00:41:04.699 --> 00:41:06.739
 so I can visit them in other countries.

507
00:41:08.420 --> 00:41:13.059
 Hi, I am Ricky. I'm from Brazil. I'm based in Brazil and France

508
00:41:13.059 --> 00:41:18.780
 and I'm happy to be here. Thank you, Parisa, for the invitation and that's it.

509
00:41:19.960 --> 00:41:28.099
 Hi, I'm Ralitza. I'm a writer and director based in Sofia, Bulgaria. I really enjoyed Vienna yesterday. I'm sure it's going to be the same for Lens.

510
00:41:28.480 --> 00:41:29.800
 And I'm really excited to be here.

511
00:41:31.420 --> 00:41:35.380
 Hi, my name is Levente Kolchay. I'm based in Budapest.

512
00:41:36.360 --> 00:41:39.059
 The masterclass was very good in September.

513
00:41:39.820 --> 00:41:42.579
 So thank you for that and to be here.

514
00:41:43.579 --> 00:41:44.800
 Have a nice four days.

515
00:41:46.800 --> 00:41:48.860
 Hello, I'm Jeva Šakalita.

516
00:41:49.119 --> 00:41:52.500
 I'm a filmmaker, director, writer from Vilnius, Lithuania.

517
00:41:52.980 --> 00:41:54.699
 And I'm very happy to be here.

518
00:41:55.019 --> 00:41:56.659
 So thank you for selecting me.

519
00:42:00.239 --> 00:42:01.800
 Hi, my name is Bilal.

520
00:42:01.800 --> 00:42:04.719
 I'm from Syria, from the occupied Golan Heights.

521
00:42:04.940 --> 00:42:09.539
 I'm based in Palestine. And I'm very happy to be here and to meet everyone.

522
00:42:11.880 --> 00:42:20.179
 Hello, my name is Eva-Justine Torkola. I'm from Australia, but I grew up with my grandparents who are Ukrainian, so I grew up speaking Ukrainian in Australia.

523
00:42:21.260 --> 00:42:24.719
 I'm a writer and director, and it's lovely to be here.

524
00:42:25.000 --> 00:42:31.000
 I'm a writer and director and it's lovely to be here. Hello everyone, my name is Ahmet. I'm a Turkish-Sarkasian filmmaker based in Istanbul.

525
00:42:31.000 --> 00:42:34.000
 It's a great honor to be here. Thank you.

526
00:42:34.000 --> 00:42:37.000
 Thank you, big applause for you again.

527
00:42:37.000 --> 00:42:39.000
 Thank you.

528
00:42:39.000 --> 00:42:41.000
 So you can take your seats again.

529
00:42:41.000 --> 00:42:47.539
 You can also go downstairs. take your seats again so their pitch session would be then at on saturday

530
00:42:47.539 --> 00:42:58.440
 at 11 because they are two groups it will start at 11 not not at 12 and 11 till 1 they will have

531
00:42:58.440 --> 00:43:06.940
 their pitch sessions and at 1 is the networking session so So thank you, all of you, for being here with us.

532
00:43:07.699 --> 00:43:10.840
 Let's go to the next part of the program.

533
00:43:10.980 --> 00:43:16.159
 I will a little bit explain about the program that we will have the next days.

534
00:43:19.940 --> 00:43:22.239
 Yeah, what I wanted to...

535
00:43:22.239 --> 00:43:26.400
 I think we talked about many parts of the program.

536
00:43:27.219 --> 00:43:30.800
 Maybe I say a little bit about networking session,

537
00:43:30.980 --> 00:43:32.079
 what is happening there.

538
00:43:33.659 --> 00:43:39.019
 We will have kind of two programs in the networking session.

539
00:43:39.019 --> 00:43:50.119
 One is one-to-one meetings of the filmmakers with the producers in residence which I will now talk a

540
00:43:50.119 --> 00:43:57.659
 little bit about that so they will have a one-to-one meeting with the producers and all other guests

541
00:43:57.659 --> 00:44:06.699
 and the filmmakers are also invited there will be like it would be after the pitch session at one o'clock and there would be

542
00:44:06.699 --> 00:44:13.239
 some snacks drinks and stuff there so you can stay there and talk to all the guests of the festival

543
00:44:13.239 --> 00:44:21.099
 if you want to network together but the filmmaker go also to one-to-one meeting with the producers

544
00:44:21.099 --> 00:44:27.440
 now that we are in this part I would also like to explain a little bit about

545
00:44:27.440 --> 00:44:36.420
 this new initiative which is called Producers in Residence and this is a new part of our program

546
00:44:36.420 --> 00:44:47.139
 and we invited also seven producers from around the world and they are also here with us so I want also to invite

547
00:44:47.139 --> 00:45:19.920
 the producers here on the stage two men they are not here

548
00:45:19.920 --> 00:45:25.179
 where are the men?

549
00:45:29.460 --> 00:45:29.559
 But I'm sure they will arrive maybe today or tomorrow.

550
00:45:31.860 --> 00:45:32.139
 Tomorrow they will have their first session.

551
00:45:34.460 --> 00:45:35.139
 So please, you can also introduce yourself.

552
00:45:36.320 --> 00:45:36.559
 And now you're starting this?

553
00:45:36.739 --> 00:45:38.159
 Okay.

554
00:45:38.619 --> 00:45:40.099
 A surprise.

555
00:45:41.880 --> 00:45:42.420
 Thank you for having us here.

556
00:45:44.460 --> 00:45:45.079
 It's a pleasure to be in the first year.

557
00:45:46.340 --> 00:45:46.639
 My name is Malu Lins.

558
00:45:51.059 --> 00:45:56.380
 I'm originally from Brazil, but as everyone else apparently here, I'm based somewhere else. I'm currently based between Portugal and Estonia, and I have a production company in Estonia called Teomars Films.

559
00:45:56.480 --> 00:46:00.199
 So looking forward to see all the pitches tomorrow and on the upcoming days.

560
00:46:01.780 --> 00:46:07.199
 Hello, this is Vildan Ercan from Turkey, Istanbul, based in Istanbul.

561
00:46:07.559 --> 00:46:11.860
 I have a production company and I'm very glad to be here

562
00:46:11.860 --> 00:46:17.820
 and very looking forward to hear all the pitches tomorrow.

563
00:46:18.000 --> 00:46:18.820
 Thank you very much.

564
00:46:20.320 --> 00:46:21.940
 Hi everybody, my name is Astrid.

565
00:46:22.059 --> 00:46:22.900
 I'm a French producer.

566
00:46:23.420 --> 00:46:27.239
 I'm based in France and my company is called PASMA Films.

567
00:46:29.480 --> 00:46:36.239
 Hello, my name is Maite, I'm from Germany, I'm based in Berlin, I have the company Transparent Films,

568
00:46:36.679 --> 00:46:42.000
 and I'm also looking to get to know everyone of you, but also the group, so I think we will have a good time here.

569
00:46:42.119 --> 00:46:43.179
 Thank you for having us.

570
00:46:44.059 --> 00:46:44.480
 Thank you.

571
00:46:48.699 --> 00:46:52.300
 Thank you. Thank you so much so

572
00:46:52.300 --> 00:46:53.099
 and

573
00:46:53.099 --> 00:46:56.360
 yeah I think

574
00:46:56.360 --> 00:46:58.320
 we can go to the next part

575
00:46:58.320 --> 00:46:59.420
 of the program maybe

576
00:46:59.420 --> 00:47:02.119
 yeah the producers are here

577
00:47:02.119 --> 00:47:03.900
 yeah the two others

578
00:47:03.900 --> 00:47:05.900
 are not here with us still.

579
00:47:06.780 --> 00:47:08.940
 Pa, Prez, and Christian.

580
00:47:09.460 --> 00:47:12.059
 I think they will arrive soon, hopefully.

581
00:47:14.199 --> 00:47:21.039
 So, and about another part of the program

582
00:47:21.039 --> 00:47:26.900
 would be two great masterclass by the two mentors.

583
00:47:27.360 --> 00:47:33.300
 You've heard they had already really great online masterclasses with them,

584
00:47:33.420 --> 00:47:35.940
 also the talent filmmakers.

585
00:47:36.480 --> 00:47:43.360
 But all of you have also the opportunity to attend their masterclass.

586
00:47:43.360 --> 00:47:44.099
 to attend their master class.

587
00:47:50.159 --> 00:47:51.360
 Tomorrow would be the master class by Martina Petrovic.

588
00:47:52.679 --> 00:47:52.780
 She's also here with us.

589
00:47:56.320 --> 00:48:00.679
 I didn't tell her to come to the stage, but maybe if you like, you can come to the stage

590
00:48:00.679 --> 00:48:02.219
 and talk a bit about it.

591
00:48:02.219 --> 00:48:03.239
 It would be great.

592
00:48:03.360 --> 00:48:15.539
 Very good.

593
00:48:17.480 --> 00:48:17.579
 We've known each other for a very long time,

594
00:48:18.980 --> 00:48:19.059
 so she can do this to me.

595
00:48:19.340 --> 00:48:20.179
 Yeah.

596
00:48:20.719 --> 00:48:20.920
 Thank you.

597
00:48:21.820 --> 00:48:24.139
 By accident.

598
00:48:28.980 --> 00:48:30.420
 Yes, I've been part of this journey with Parisa for a very long time.

599
00:48:35.239 --> 00:48:41.579
 And I'm always privileged to be part of the team and to really help all of you who already worked with me,

600
00:48:41.579 --> 00:48:47.860
 but also we're going to explore how your pitch is going to be tonight, tomorrow, and the day after.

601
00:48:48.360 --> 00:48:52.440
 As I really would like to give you this safe space,

602
00:48:53.199 --> 00:48:56.239
 and as Parisa said, to share this love,

603
00:48:56.380 --> 00:48:59.619
 so that you also have opportunity to test your story.

604
00:48:59.780 --> 00:49:03.400
 And you already done great work, so I really give you a big, big applause,

605
00:49:03.480 --> 00:49:11.219
 and I'm looking forward to meeting you all thank you thank you Martina would you tell about the masterclass a little bit what

606
00:49:11.219 --> 00:49:21.539
 would you talk about yes I have a lot of hats so yeah for those who already kind of glanced what

607
00:49:21.539 --> 00:49:30.440
 we've done in September tomorrow I will guide you through the journey of the not only Creative Europe Media,

608
00:49:30.559 --> 00:49:36.000
 but also what is important for you when you're out there at the industry event,

609
00:49:36.059 --> 00:49:38.980
 but also when you meet potential partner.

610
00:49:39.280 --> 00:49:41.460
 We will also have some icebreakers, you know,

611
00:49:41.500 --> 00:49:45.059
 that I like to ask you some questions just to get to know each other

612
00:49:45.059 --> 00:49:51.300
 better but please do come because we will also explore some different funds because for this

613
00:49:51.300 --> 00:49:58.099
 opportunity i kind of scanned where you all come from and i would like them to share also what you

614
00:49:58.099 --> 00:50:02.519
 can do with your film in terms of the financing but also presence of different training initiatives

615
00:50:02.519 --> 00:50:06.599
 and to share this know-how that I have.

616
00:50:06.699 --> 00:50:08.440
 Thank you. Thank you very much. Thank you.

617
00:50:11.400 --> 00:50:14.420
 Yeah, I would like a little bit to talk about Martina.

618
00:50:14.599 --> 00:50:22.239
 I think she is now kind of one of the most important part of our program.

619
00:50:22.380 --> 00:50:28.599
 She is with us from the very first year and she put

620
00:50:28.599 --> 00:50:36.579
 so much more than I asked her into every project she's really working with love

621
00:50:36.579 --> 00:50:46.480
 and I I really learned from her how how to be passionate about films and helping filmmakers a lot.

622
00:50:46.579 --> 00:50:47.340
 Thank you, Martina.

623
00:50:50.159 --> 00:50:55.019
 And the other massacres would be the next day.

624
00:50:55.239 --> 00:50:59.019
 Isabel will arrive at night on Thursday

625
00:50:59.019 --> 00:51:01.860
 and in the next morning at 10,

626
00:51:02.619 --> 00:51:05.380
 she will have this master class.

627
00:51:05.619 --> 00:51:08.559
 So it would be great if you participate in it.

628
00:51:08.619 --> 00:51:16.000
 It would be also more about the collaboration in development time,

629
00:51:16.000 --> 00:51:26.800
 how you can collaborate with story editors, with constant who could work on your script mostly is

630
00:51:26.800 --> 00:51:28.699
 about how you can

631
00:51:28.699 --> 00:51:30.239
 find your collaborators

632
00:51:30.239 --> 00:51:32.500
 and how you can co-work

633
00:51:32.500 --> 00:51:34.000
 with them but

634
00:51:34.000 --> 00:51:36.900
 in all it is about the development

635
00:51:36.900 --> 00:51:38.460
 part of filmmaking

636
00:51:38.460 --> 00:51:40.380
 and

637
00:51:40.380 --> 00:51:42.300
 what

638
00:51:42.300 --> 00:51:44.380
 else? I think we

639
00:51:44.380 --> 00:51:48.039
 talked about the whole program that we have

640
00:51:48.039 --> 00:51:49.900
 and the open discussion, I said.

641
00:51:50.559 --> 00:51:53.920
 So now it's my turn again to announce all the partners

642
00:51:53.920 --> 00:51:58.599
 and patrons, of course, that made possible the whole Film Festival.

643
00:51:58.800 --> 00:52:00.539
 So it starts with the partners and patrons.

644
00:52:01.480 --> 00:52:04.360
 Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport,

645
00:52:04.920 --> 00:52:06.320
 Kunstuniversität Linz,

646
00:52:06.539 --> 00:52:12.000
 Land Oberösterreich Kultur, Stadt Linz Direktförderung, VDFS Verwertungsgesellschaft

647
00:52:12.000 --> 00:52:18.820
 der Filmschaffenden Österreich, Frauenbüro der Stadt Linz, Rainbow City Network, WKÖ Film- und

648
00:52:18.820 --> 00:52:27.239
 Musikwirtschaft, Linz Tourismus. Then our award sponsors are ADA Austrian Directors Association,

649
00:52:27.800 --> 00:52:30.039
 Ambient Recording, VDFS,

650
00:52:30.619 --> 00:52:32.760
 EPD Film, Kolik Film,

651
00:52:33.300 --> 00:52:34.719
 Frauenbüro der Stadt Linz,

652
00:52:35.119 --> 00:52:37.280
 Creative Europe Media Desk Croatia,

653
00:52:37.920 --> 00:52:39.400
 Silence and Conversation.

654
00:52:40.079 --> 00:52:41.780
 Our media partners are

655
00:52:41.780 --> 00:52:43.780
 Creative Austria, Dorf TV,

656
00:52:44.699 --> 00:52:52.760
 EPD Film, InfoScreen, Kolik Film, Dot Magazine, Radiofro, Subtext and Linz Tourism.

657
00:52:54.760 --> 00:53:04.099
 Then we have our program partners, Frauenbüro der Stadt Linz, Rainbow City Network, SFC Rendezvous Industrie of Festival de Cannes.

658
00:53:01.559 --> 00:53:01.780
 Network, SFC,

659
00:53:03.980 --> 00:53:05.059
 Rendezvous Industrie of Festival de Cannes,

660
00:53:06.079 --> 00:53:08.219
 our sponsors Brotsüchtig, Freistädter,

661
00:53:08.719 --> 00:53:09.940
 Frontfood, Macava

662
00:53:09.940 --> 00:53:11.880
 and Pedacola, and our

663
00:53:11.880 --> 00:53:13.679
 event and cooperation partners

664
00:53:13.679 --> 00:53:15.880
 4U Card, City Kino,

665
00:53:16.360 --> 00:53:18.219
 City Hotel, Ark Hotel,

666
00:53:18.340 --> 00:53:20.059
 das Meerhotel, Creative

667
00:53:20.059 --> 00:53:21.519
 Europe Media, das Croatia,

668
00:53:22.179 --> 00:53:23.619
 Silence and Conversation,

669
00:53:24.139 --> 00:53:27.500
 Kupf Oberösterreich, Lights On, Zeitbasierte

670
00:53:27.500 --> 00:53:33.320
 und Interaktive Medienkunst Bachelorstudium, Zeitbasierte Medien Masterstudium, Hunger

671
00:53:33.320 --> 00:53:37.780
 auf Kunst und Kultur, initiiert 2023 vom Schauspielhaus Wien.

672
00:53:38.719 --> 00:53:39.840
 So, thank you very much.

673
00:53:40.059 --> 00:53:41.539
 A big applause for our partners.

674
00:53:41.539 --> 00:53:45.239
 A big applause for our partners.

675
00:53:49.980 --> 00:53:50.800
 I would add something about our application before we go to the end.

676
00:53:53.719 --> 00:53:53.920
 Because it is also something really new.

677
00:53:58.579 --> 00:54:04.679
 We just developed it some weeks ago before the festival. We decided to go with this application and we hope it works well.

678
00:54:05.159 --> 00:54:06.760
 This is our hope.

679
00:54:07.760 --> 00:54:12.639
 And I think you already received a link with the accreditation

680
00:54:12.639 --> 00:54:14.340
 and you should activate it

681
00:54:14.340 --> 00:54:18.539
 and then you can reserve every screening

682
00:54:18.539 --> 00:54:21.119
 and every program there on the application.

683
00:54:22.239 --> 00:54:25.679
 And if there is something that doesn't work or

684
00:54:25.679 --> 00:54:27.719
 some problem you just can

685
00:54:27.719 --> 00:54:29.460
 tell us but

686
00:54:29.460 --> 00:54:32.059
 till now I think it worked

687
00:54:32.059 --> 00:54:33.860
 smoothly and we are really happy

688
00:54:33.860 --> 00:54:35.760
 that we have it and I really want

689
00:54:35.760 --> 00:54:37.800
 also to thank Ashkan

690
00:54:37.800 --> 00:54:39.719
 Ashkan Nemation who did it

691
00:54:39.719 --> 00:54:42.019
 and it is really helpful

692
00:54:42.019 --> 00:54:44.019
 for us now

693
00:54:44.019 --> 00:54:44.980
 I hope it works

694
00:54:44.980 --> 00:54:46.039
 Thank you and it is really helpful for us now. I hope it works.

695
00:54:46.820 --> 00:54:49.219
 Thank you.

696
00:54:53.519 --> 00:54:53.699
 And now we can go on with the award ceremony.

697
00:54:54.860 --> 00:54:55.000
 No, we're not doing it now,

698
00:54:57.079 --> 00:54:58.280
 but we just want to give you a quick insight about the award ceremony.

699
00:54:58.280 --> 00:55:02.300
 This will take place on October 17th at 8.15 p.m.

700
00:55:02.800 --> 00:55:05.340
 Here again, as we celebrate outstanding talent.

701
00:55:05.480 --> 00:55:07.079
 By awarding 12 prizes.

702
00:55:07.420 --> 00:55:08.940
 To filmmakers and their projects.

703
00:55:09.440 --> 00:55:11.219
 In this year's official competition.

704
00:55:11.800 --> 00:55:13.460
 Handpicked by our jury.

705
00:55:14.079 --> 00:55:15.599
 So the awards will be.

706
00:55:15.719 --> 00:55:16.619
 In best fiction.

707
00:55:16.619 --> 00:55:17.860
 Best documentary.

708
00:55:18.360 --> 00:55:19.400
 Best animation.

709
00:55:19.699 --> 00:55:20.440
 Best directing.

710
00:55:20.760 --> 00:55:21.599
 Best screenplay.

711
00:55:22.039 --> 00:55:22.760
 Best editing.

712
00:55:23.340 --> 00:55:24.500
 Best cinematography.

713
00:55:33.619 --> 00:55:34.059
 Best sound design. Best Editing, Best Cinematography, Best Sound Design, Best Acting, Best Austrian Film, Best Queer Feminist Film, the Masa Jina Amini Award, as we talked beforehand.

714
00:55:37.119 --> 00:55:37.699
 And a new category this year is the Audience Award.

715
00:55:40.840 --> 00:55:46.659
 So you also can vote for your film. So after every film block, you can enter the app um download it on your cell phone

716
00:55:46.659 --> 00:55:54.380
 or maybe online and then you can um vote for your your favorite films after every film block i think

717
00:55:54.380 --> 00:56:00.579
 yeah so how much time do they have i don't know like i don't know if you have time the whole four

718
00:56:00.579 --> 00:56:10.480
 days but if you really like the movie very much just do it directly after film block i think one hour but i should that's the that's the safest thing to do so the audience award will

719
00:56:10.480 --> 00:56:16.599
 also be awarded on the 17th of october so we really hope to see you back all again on saturday

720
00:56:16.599 --> 00:56:25.380
 and now we have come to an end of the official opening um ceremony I would say, we want to say something else?

721
00:56:25.380 --> 00:56:26.440
 Yeah, of course.

722
00:56:26.820 --> 00:56:28.719
 I have one idea.

723
00:56:29.159 --> 00:56:29.440
 Okay.

724
00:56:31.300 --> 00:56:33.280
 Because we actually invited

725
00:56:33.280 --> 00:56:35.739
 all the filmmakers from Talent

726
00:56:35.739 --> 00:56:38.880
 and from the producer in residence

727
00:56:38.880 --> 00:56:40.300
 so everybody knows them.

728
00:56:40.940 --> 00:56:41.940
 I would like also,

729
00:56:42.019 --> 00:56:43.099
 because we don't know

730
00:56:43.099 --> 00:56:44.199
 if every filmmakers

731
00:56:44.199 --> 00:56:46.199
 who have film program is there

732
00:56:46.199 --> 00:56:54.199
 today some of them come next day so we didn't um think about it but i think it would be really

733
00:56:54.199 --> 00:57:02.460
 great if also the filmmakers from the program who are today with us come also to the stage so

734
00:57:02.460 --> 00:57:06.179
 everybody got to know them as well i don't know who is here with us but please join also to the stage so everybody got to know them as well. I don't know who is here

735
00:57:06.179 --> 00:57:07.940
 with us, but please join us

736
00:57:07.940 --> 00:57:08.800
 to the stage.

737
00:57:09.099 --> 00:57:12.119
 So the ones who present the films tonight,

738
00:57:13.159 --> 00:57:14.000
 they won't come

739
00:57:14.000 --> 00:57:15.440
 on stage afterwards as well?

740
00:57:16.340 --> 00:57:18.059
 Yes, some of them will be

741
00:57:18.059 --> 00:57:19.159
 in the next screening.

742
00:57:20.219 --> 00:57:22.340
 Would you like to come?

743
00:57:23.559 --> 00:57:24.619
 I don't know.

744
00:57:24.800 --> 00:57:27.820
 Please join us to the stage come upstairs yes

745
00:57:27.820 --> 00:57:39.320
 i think there are more filmmakers but they don't like to come to the stage maybe

746
00:57:39.320 --> 00:57:45.079
 but you can introduce yourself as well. There are many other filmmakers here,

747
00:57:47.860 --> 00:57:47.980
 but many of them come at night or next day.

748
00:57:50.500 --> 00:57:51.219
 But it would be great to have you also here with us.

749
00:57:52.639 --> 00:57:54.320
 You can tell which film.

750
00:57:55.420 --> 00:57:56.099
 Hello, everyone.

751
00:57:58.099 --> 00:57:58.219
 I'm extremely happy to be here.

752
00:57:58.980 --> 00:57:59.559
 My name is Lilia.

753
00:58:03.440 --> 00:58:04.219
 I'm based between Austria now and Greece.

754
00:58:09.639 --> 00:58:11.780
 But I'm originally from Russia. And I'm here with with my film Centro de Gravita Permanente.

755
00:58:20.539 --> 00:58:20.780
 Hello, I'm Barbara Wolfram. I'm from Vienna. I'm based right now between Zurich and Vienna and I'm here with the film Walter L.

756
00:58:27.659 --> 00:58:29.340
 And it's going to be shown in the program afterwards. So, you know, stick around and we can have a little talk afterwards. I'm very happy to be here.

757
00:58:36.860 --> 00:58:46.239
 Hello my name is Nikolas. I'm here on behalf of my friend Einas. Yao and I are composers for a movie that is in the program but she's a friend from Iran and living in LA now she can't be here so she accessed we live nearby Linz so

758
00:58:46.239 --> 00:58:51.239
 that's why we are here and so we are representing Iranian cinema as Germans

759
00:58:51.239 --> 00:58:56.760
 so this is Yaho and you want to say something well of course hello everybody

760
00:58:56.760 --> 00:59:05.039
 we on behalf of finance and her film is called death of a Seagull.

761
00:59:05.719 --> 00:59:06.880
 Wonderful.

762
00:59:07.960 --> 00:59:08.179
 It's going to, yeah.

763
00:59:10.699 --> 00:59:10.960
 And we're the composers of the music.

764
00:59:14.039 --> 00:59:14.239
 We work like for 30 years together.

765
00:59:15.280 --> 00:59:15.920
 Or maybe 25.

766
00:59:16.900 --> 00:59:17.119
 We're not that old.

767
00:59:17.280 --> 00:59:17.679
 Okay.

768
00:59:20.300 --> 00:59:22.800
 So thank you for having us here.

769
00:59:23.480 --> 00:59:23.699
 Hello.

770
00:59:24.719 --> 00:59:24.860
 I am Norlan Hasanli.

771
00:59:25.940 --> 00:59:27.980
 I am a filmmaker from Azerbaijan. Last year I was

772
00:59:27.980 --> 00:59:29.619
 here with Talent Academy

773
00:59:29.619 --> 00:59:31.099
 with my short film project.

774
00:59:31.719 --> 00:59:34.039
 This year I am presenting

775
00:59:34.039 --> 00:59:35.860
 my short film, Early Feelings.

776
00:59:37.559 --> 00:59:39.300
 Happy to be here.

777
00:59:43.639 --> 00:59:44.420
 Thank you.

778
00:59:44.420 --> 00:59:44.840
 Thank you.

779
00:59:48.659 --> 00:59:50.659
 Sorry for thank you thank you so sorry for any more ideas

780
00:59:50.659 --> 00:59:52.800
 anyone else who wants to come to the stage

781
00:59:52.800 --> 00:59:55.280
 no I think we really came to an end

782
00:59:55.280 --> 00:59:56.780
 now after the official

783
00:59:56.780 --> 00:59:58.079
 opening of this

784
00:59:58.079 --> 01:00:00.860
 film festival afterwards next up

785
01:00:00.860 --> 01:00:02.440
 there will be the screening

786
01:00:02.440 --> 01:00:04.780
 of our first film block here

787
01:00:04.780 --> 01:00:08.739
 and also a Q&A with the filmmakers that are present tonight.

788
01:00:08.739 --> 01:00:16.579
 And then after the first screening here, we would like to join us at the festival lobby at the University of Art and Design Linz,

789
01:00:16.699 --> 01:00:23.719
 where we will continue the evening with a buffet and a meet and greet, a photo call with the filmmakers and the opening party.

790
01:00:24.019 --> 01:00:28.280
 So we can celebrate and start this exciting festival week.

791
01:00:29.420 --> 01:00:33.300
 Just one quick note, at three out of four nights after the screenings,

792
01:00:33.380 --> 01:00:36.579
 the festival lobby always transforms into a festival nightclub

793
01:00:36.579 --> 01:00:40.139
 and we gather there with music and celebrate together.

794
01:00:40.579 --> 01:00:43.239
 But on Thursday night, there will be no nightline

795
01:00:43.239 --> 01:00:46.539
 and the festival lobby will close after the final screening

796
01:00:46.539 --> 01:00:49.619
 but always come together at the festival lobby

797
01:00:49.619 --> 01:00:51.519
 chat, connect and celebrate

798
01:00:51.519 --> 01:00:53.440
 and now I think it's

799
01:00:53.440 --> 01:00:55.300
 I don't know if it's already seven o'clock

800
01:00:55.300 --> 01:00:57.440
 if we can start the film block already

801
01:00:57.440 --> 01:01:00.260
 if not okay just take a sip outside

802
01:01:00.260 --> 01:01:00.780
 I don't know

803
01:01:00.780 --> 01:01:03.280
 but if not just enjoy the films

804
01:01:03.280 --> 01:01:06.199
 and have a good night and see you afterwards.

805
01:01:06.960 --> 01:01:07.579
 Thank you.

